{"id":2422,"date":"2018-02-12T06:49:59","date_gmt":"2018-02-12T06:49:59","guid":{"rendered":"http:\/\/primolevicenter.org\/lastoria\/?p=2422"},"modified":"2018-09-03T14:14:07","modified_gmt":"2018-09-03T14:14:07","slug":"further-reading","status":"publish","type":"post","link":"https:\/\/primolevicenter.org\/lastoria\/further-reading\/","title":{"rendered":"Further Reading"},"content":{"rendered":"[aesop_content color=&#8221;#565554&#8243; background=&#8221;#ffffff&#8221; columns=&#8221;1&#8243; position=&#8221;none&#8221; imgrepeat=&#8221;no-repeat&#8221; disable_bgshading=&#8221;off&#8221; floaterposition=&#8221;left&#8221; floaterdirection=&#8221;up&#8221; revealfx=&#8221;off&#8221; overlay_revealfx=&#8221;off&#8221;]<strong>Publications<\/strong><\/p>\n<p>Cesare Garboli, <em>Il Gioco Segreto<\/em> nove immagini di Elsa Morante Adelphi, Milano 1995.<\/p>\n<p>Amos Oz, &#8220;Into Mother\u2019s Bosom, On several Beginnings&#8221; in <em>Elsa Morante\u2019s History: a Novel in The Story Begins &#8211; Essays on Literature,<\/em> Harcourt Brace &amp; Co, New York, 1996.<\/p>\n<p>Lily Tuck, <em>A life of Elsa Morante Woman of Rome,<\/em> Harper Collins, New York, 2008.<\/p>\n<p>Graziella Bernab\u00f2, <em>La Fiaba Estrema-Elsa Morante tra vita e scrittura<\/em>, Carocci editore, Roma, 2012.<\/p>\n<p>Stefania Lucamante ed., <em>Elsa Morante\u2019s Politics of Writing<\/em>, Fairleigh Dickinson University Press, Madison, 2015.<\/p>\n<p>Angela Borghesi, <i class=\"\">Una Storia Invisibile, Morante, Ortese, Weil,<\/i> Quodlibet, Macerata, 2015<\/p>\n<p>Hanna Serkowska. <em>Uscire da una camera delle favole: i romanzi di Elsa Morante<\/em>. Krakow: Rabid, 2002<\/p>\n<p><strong>Radio and TV<\/strong><\/p>\n<p>Film directed by Luigi Comencini, RAI 1986, 4 hours. Due to financial difficulties, Morante awarded RAI the right to a TV-film from <em>La Storia<\/em>.<\/p>\n<p>The film was adapted and directed by Luigi Comencini and released in 1986 after Morante&#8217;s death. Vincent Canby writing for The New York Times on June 3, 1988, expresses the feeling of most critics here as in Italy: \u201cThe material appears to have been utterly beyond the talents (and, perhaps the interests) of Mr. Comencini, who has told much of this dark tale as if it were a sort of soap opera in which cataclysmic events are mere inconveniences.\u201d<\/p>\n<p>Actress Maria Paiato read the entire novel on RAI\u2019s radio program <em>Ad Alta Voce<\/em>, starting in June 2012- <a href=\"http:\/\/www.rai.it\/dl\/RaiTV\/programmi\/media\/ContentItem-427567ff-03e5-4dba-9647-739bb9787614.html\" target=\"_blank\" rel=\"noopener noreferrer\">Link<\/a><\/p>\n[\/aesop_content]\n\n<p id=\"ui-id-4\">\n<p id=\"ui-id-5\">\n","protected":false},"excerpt":{"rendered":"<p>[aesop_content color=&#8221;#565554&#8243; background=&#8221;#ffffff&#8221; columns=&#8221;1&#8243; position=&#8221;none&#8221; imgrepeat=&#8221;no-repeat&#8221; disable_bgshading=&#8221;off&#8221; floaterposition=&#8221;left&#8221; floaterdirection=&#8221;up&#8221; revealfx=&#8221;off&#8221; overlay_revealfx=&#8221;off&#8221;]Publications Cesare Garboli, Il Gioco Segreto nove immagini di Elsa Morante Adelphi, Milano 1995. Amos Oz, &#8220;Into Mother\u2019s Bosom, On several Beginnings&#8221; in Elsa Morante\u2019s History: a Novel in The Story Begins &#8211; Essays on Literature, Harcourt Brace &amp; Co, New York, 1996. Lily Tuck, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2878,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[],"_links":{"self":[{"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/posts\/2422"}],"collection":[{"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/comments?post=2422"}],"version-history":[{"count":24,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/posts\/2422\/revisions"}],"predecessor-version":[{"id":3371,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/posts\/2422\/revisions\/3371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/media\/2878"}],"wp:attachment":[{"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/media?parent=2422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/categories?post=2422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/primolevicenter.org\/lastoria\/wp-json\/wp\/v2\/tags?post=2422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}