{"id":6400,"date":"2025-04-07T02:19:57","date_gmt":"2025-04-07T02:19:57","guid":{"rendered":"https:\/\/primolevicenter.org\/printed-matter\/?p=6400"},"modified":"2025-07-28T18:29:49","modified_gmt":"2025-07-28T18:29:49","slug":"haggadot-at-bookhouse","status":"publish","type":"post","link":"https:\/\/primolevicenter.org\/printed-matter\/haggadot-at-bookhouse\/","title":{"rendered":"Haggadot at Bookhouse"},"content":{"rendered":"<div class=\"sc-accordion\">\n<a class=\"trigger\" href=\"#\">Alessandro Cassin<\/a>\r\n\t   \t\t   <div class=\"content\"><b>Alessandro Cassin<\/b> is co-director of Centro Primo Levi. Coming from a tradition of publishing \u2014his father published the first edition of&nbsp;<i>If This Is A Man<\/i>&nbsp;in English\u2014Cassin began working in experimental theater and was awarded the Premio Ruggero Rimini 1989 for&nbsp;<i>Il Presidente Schreber<\/i>. He has been a cultural reporter for publications including&nbsp;<i>L\u2019Espresso<\/i>&nbsp;and&nbsp;<i>Diario<\/i>. He is a contributor of&nbsp;<i>The Brooklyn Rail<\/i>. His book&nbsp;<i>Whispers: Ulay on Ulay<\/i>&nbsp;co-authored with Maria Rus Bojan received the 2015 AICA Netherlands Award. He coordinated the publication of Laurence Butch Morris\u2019 <i>The Art of Conduction&nbsp;<\/i>edited by Daniela Veronesi (Karma, 2017). He is the author of <i>The Scandal of the Imagination<\/i> a film about<span class=\"Apple-converted-space\">&nbsp; <\/span>the life and work of Aldo Braibanti ( 2021.) During the pandemic he wrote <i>A Fiesole, bambino.&nbsp;<\/i><\/div>\n<\/div>\n<p>This Holiday season at Bookhouse, we are delighted to feature a rich selection of <i>haggadot<\/i> from different times and geographical provenances selected by Dan Wyman, our partner and leading international dealer in rare, out-of-print, unusual, and important Jewish books, periodicals, and ephemera.<\/p>\n<p>The centrality of the printed <i>haggadah<\/i> from the beginning of Hebrew printing to modern times is the topic of Yosef Haym Yerushalmi&#8217;s landmark volume <i>Haggadah and History<\/i>, one of many treasures available on our shelves.<\/p>\n<p>For centuries, <i>haggadot<\/i> have been illuminated, illustrated, commented, re-elaborated, and used as a blueprint of contemporary ideas, attesting to the timeless fascination for a text that is, at once, \u201cstory-telling&#8221; and a guide to a powerful theatrical ritual.&nbsp;Described as a pedagogy of freedom, the <i>haggadah<\/i> invites us to follow a strict order to navigate uncertainty, contradictions, and puzzling insights into human nature and ourselves.<\/p>\n<p>Century after century, understanding and locating that &#8220;ourselves&#8221; continues to elude the order and propel the ritual. The repetition of the words \u05db\u05b8\u05bc\u05dc (all) and \u05db\u05bb\u05bc\u05dc\u05b8\u05e0\u05d5\u05bc (all of us) drives the riddle: \u201call who are hungry, let them come and eat; all who are in need, let them come and conduct the <i>seder<\/i> of <i>pesach<\/i>\u201d and,&nbsp;&#8220;even if all of us were wise, all of us understanding, all of us knowledgeable in the <i>Torah<\/i>, we would still be obligated to discuss the exodus from Egypt.&nbsp;<\/p>\n<p>But how do we understand the wise, the perplexed, and the ingenuous, the compassionate and the vengeful, the night and the day? What shall we make, every returning season, of this particular exodus, that is not the king of Ur&#8217;s nor that of Odysseus, Orpheus, Buddha, or Paul of Tarsus?<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<p>As each year presents us with specific challenges and food for thought, we wish all our readers to experience a new journey whether through the retelling of the <i>haggadah<\/i> or of other stories they hold dear.&nbsp;<\/p>\n<p>Please visit Bookhouse and browse Dan Wyman&#8217;s new display of dozens of art books and Haggadot. Choose one to bring home and embark on this year&#8217;s seder, give it as a gift, or discuss it with your friends and family.&nbsp;<\/p>\n<p>Our picks of the month include a precious small volume from the Bragadina press, published in Venice in 1792, and the Freedom Seder Haggadah printed in the US in 1969.<\/p>\n<div class=\"sc-separator type-thin\"><\/div>\n<p><a href=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/HaggadaBragadin.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6401 alignleft\" src=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/HaggadaBragadin-300x226.jpg\" alt=\"\" width=\"394\" height=\"297\" srcset=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/HaggadaBragadin-300x226.jpg 300w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/HaggadaBragadin-1024x771.jpg 1024w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/HaggadaBragadin.jpg 1600w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/a><\/p>\n<p>\u05e1\u05d3\u05e8 \u05d4\u05d2\u05d3\u05d4 \u05e9\u05dc \u05e4\u05e1\u05d7 \u05db\u05de\u05e0\u05d4\u05d2 \u05e7&#8221;\u05e7 \u05d0\u05e9\u05db\u05e0\u05d6\u05d9\u05dd : \u05e2\u05dd \u05db\u05d5\u05d5\u05e0\u05d5\u05ea \u05d5\u05e4\u05e1\u05d5\u05e7\u05d9\u05dd \u05dc\u05d0\u05d5\u05de\u05e8\u05dd \u05e7\u05d5\u05d3\u05dd \u05e2\u05e9\u05d9\u05d9\u05ea \u05d4\u05de\u05e6\u05d5\u05ea.<\/p>\n<p><b><i>SEDER HAGADAH SHEL PESAH KE-MINHAG K.K. ASHKENAZIM: <\/i><\/b><b><i>\u02bb<\/i><\/b><b><i>IM KA<\/i><\/b><b><i>V\u0323<\/i><\/b><b><i>ANOT U-PESUKIM LE-<\/i><\/b><b><i>\u02bc<\/i><\/b><b><i>UMRAM KODEM <\/i><\/b><b><i>\u02bb<\/i><\/b><b><i>A<\/i><\/b><b><i>S\u0301<\/i><\/b><b><i>IYYAT HA-MITSVOT. [HAGGADAH SHEL PESAH]<\/i><\/b><\/p>\n<p>The title translates as, &#8220;Passover Haggadah according to the custom of the Ashkenazi Jews: with directions and verses to be recited before making matzot.<\/p>\n<p>Printed in Venice, Nella Stamparia Bragadina, 1792.<\/p>\n<p>A&nbsp; very nice and rare copy, with period marbled boards, Small 8vo, 40 leaves [80 pages], 18cm.<span class=\"Apple-converted-space\">&nbsp; <\/span>Yudlov 356; Yaari 240.<span class=\"Apple-converted-space\">&nbsp; <\/span>In Hebrew, with&nbsp; a two-page statement in Italian, dated 1792, from the Inquisitionists of Padua stating that within the book, &#8220;There is not a thing against the holy Catholic faith\u2026nothing was found against morals and good behavior.&#8221;<\/p>\n<p><a href=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6406 alignright\" src=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-300x217.jpg\" alt=\"\" width=\"354\" height=\"256\" srcset=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-300x217.jpg 300w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-1024x741.jpg 1024w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-768x555.jpg 768w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-1536x1111.jpg 1536w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-600x434.jpg 600w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1-802x580.jpg 802w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/bragadincensors-1.jpg 1568w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/a><\/p>\n<p>This Haggadah was published in three editions: Italian, Sephardic, and, here Ashkenazi. Includes printer&#8217;s device as well as two small woodcuts of Matzah and maror.&nbsp;&nbsp;<\/p>\n<p>OCLC: 1197813564. OCLC lists 5 copies worldwide (JTSA, Penn, NLI, TAU, British Library).<\/p>\n<p>The Stamperia Bragadina, a Venice family-owned print shop, was originally founded by Alvise Bragadin in the 16th Century. A Christian, he eventually began printing Hebrew books in 1550 with his publication of Maimonides&#8217; Mishneh Torah. The Bragadin family business held a monopoly on the printing of Hebrew texts for many years in Venice, and the books they published traveled across Europe, North Africa, and the Middle East. The monopoly ended when a new printing house, Stamperia Vendramina, was established in 1630 by Giovanni Vendramin.<\/p>\n<div class=\"sc-separator type-thin\"><\/div>\n<p><a href=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder4.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6403 alignleft\" src=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder4-238x300.jpeg\" alt=\"\" width=\"238\" height=\"300\" srcset=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder4-238x300.jpeg 238w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder4-460x580.jpeg 460w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder4.jpeg 480w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/a><\/p>\n<p>Arthur I.Waskow<\/p>\n<p><b><i>THE FREEDOM SEDER: A NEW HAGGADAH FOR PASSOVER<\/i><\/b><\/p>\n<p>Washington; Micah Press,&nbsp;1969.<\/p>\n<div>\n<div dir=\"ltr\">\n<div>1st edition, 12mo. Original Illustrated Wraps. 32mo. 48 pages. 13 cm, in very good condition.&nbsp; This is not the more common trade edition which was published a year later, in 1970.&nbsp;<\/div>\n<\/div>\n<\/div>\n<p>It features&nbsp;eight distinctive illustrations by Lloyd Mcneill, an influential Black jazz musician and artist.<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<p>This text originally appeared in <em>Ramparts Magazine<\/em> in February 1969. An attractively designed, civil rights era Freedom Seder; this edition has influenced countless similar pieces and interfaith Passover celebrations from college campuses to the contemporary White House. The Micah Press published this first edition; with errata of whole pages of text pasted and taped on pages 20 and 29. Arthur Waskow, founding member of the Institute for Policy Studies, was active in progressive Washington D. C. politics throughout the 1960&#8217;s.<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<p>&#8220;In 1969, Waskow&#8217;s life took a new turn, toward leadership in the renewal of Jewish life in America. This work first began when Waskow wrote The Freedom Seder, a Passover Haggadah that wove together the traditional text with passages from leaders of social justice movements, such as Martin Luther King.&#8221;<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<p><a href=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6404 alignleft\" src=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder3-300x195.jpeg\" alt=\"\" width=\"363\" height=\"236\" srcset=\"https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder3-300x195.jpeg 300w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder3-600x391.jpeg 600w, https:\/\/primolevicenter.org\/printed-matter\/wp-content\/uploads\/2025\/04\/FreedomSeder3.jpeg 640w\" sizes=\"auto, (max-width: 363px) 100vw, 363px\" \/><\/a>From the preface: &#8220;One of my earliest and warmest memories is that of my father reciting the Dayenu, the chant of rebellion, liberation, travail, and the creation of a new law that is the story of Passover. One of my latest and warmest memories is that of working with my wife and children to make our own Passover Seder, something that would speak to our deep concerns about ourselves and our world. Our efforts became sharper and more urgent in 1968, when the Passover came one bare week after the murder of Martin Luther King, the April uprising of black Washington against the blank-eyed pyramid-builders of our own time, and the military occupation of our city. Who in those days could forget that the prophet King had remembered Moses? &#8212; had spoken of how he had been to the mountaintop, had seen the promised land, but might never enter. &#8230;<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<p>And then we realized that in 1969, the third night of Passover, April 4, would be the first anniversary of King&#8217;s death. Facing those dates, we found our deepest feelings best expressed in a fusion of the traditional Seder with a new song of freedom\u2014both the freedom of men in relation to each other and the freedom of men in relation to God&#8230;&#8221;<\/p>\n<div class=\"sc-separator type-thin\"><\/div>\n<p>Image: Alessandro Cassin, <em>Sunrise on the Red Sea<\/em>, 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This Holiday season at Bookhouse, we are delighted to feature a rich selection of haggadot from different times and geographical provenances selected by Dan Wyman, our partner and leading international&#8230;<\/p>\n","protected":false},"author":2,"featured_media":6411,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-6400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - 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