I sommersi non hanno storia.
The Origins of Adelphi at Bookhouse – La Voce New York
By Gianna Pontecorboli in La Voce di New York
Hanno storia
“Internee Number 6” By Maria Eisenstein Review – The Forward
By Julia M. Klein in The Forward From an Italian Holocaust survivor, a Kafkaesque nightmare of imprisonment under fascism Set in the Lanciano internment camp, Maria Eisenstein’s ‘Internee Number 6’ is a testament to the power of writing The Italian…
“After Images, The Murder of the Einstein Mazzetti Family: Visual Resonances” Review – The Jerusalem Post
By Abigail Klein Leichman in The Jerusalem Post
“Internee Number 6” By Maria Eisenstein Review – Jewish Book Council
By Leah Grisham in the Jewish Book Council For many people, the word “Holocaust” summons images of ghettos, forced-labor camps, and mass-murder centers of central and eastern Europe. However, a large number of Jews who lived outside the areas that are…
La Repubblica: La Casa rossa di Alberobello diventa un museo della Memoria
Lavori al via fra febbraio e marzo: museo della memoria con teatro, una galleria d’arte, un caffè letterario, una sala d’incisione musicale e ancora residenze artistiche, laboratori di danza, teatro, musica e arte, e diventerà una tappa per il turismo lento
Podcast episode; Mine Is The Golden Tongue The Hebrew Sonnets Of Immanuel Of Rome
New books network podcast episode hosted by Ari Barbalat, featuring CPL Editions author Yehudah Cohn
Podcast episode; Taamrat Emmanuel An Ethiopian Jewish Intellectual, Between Colonized and Colonizers
New books network podcast episode hosted by Ari Barbalat, featuring CPL Editions author Emanuela Trevisan
Art After War: Paola and Lorenza Mazzetti
A program spotlighting the resilient legacy of the Mazzetti sisters, for the International Holocaust Remembrance Day.
La Voce Di New York: I film di Lorenza Mazzetti a Casa Italiana
Sublimò il massacro della famiglia nel cinema e nella narrativa
The New York Times: An Artist Shattering Boundaries in Pursuit of Freedom
Corrado Cagli, an artist of the 1920s through the 1970s, is still defying categories like “Italian artist” or “gay artist,” as a show at the Center for Italian Modern Art reveals.
