The textile I have chosen for one of my favorite textiles is one donated and belonging in the Lenore Hazan Levy collection and its origins could be from Castoria, Rhodes and or Salonika. This textile is one of the first ones Naila, Elya, and I encountered, and I was blown away by the beauty of this piece. The bright colors and such interesting drawn thread work design on the edge, despite the age, presented it was incredible.
The geometric design going down the middle was striking but also had a very elegant pattern. This piece made me think more about the possible pieces we may encounter throughout this project. This is the first Textile we encountered with drawn thread work, its when the embroiderer creates an opening in order to weave threads back together to create openings and decorative panels. This piece made us question: What’s the difficulty of this skill? What skill level is this embroiderer? This piece unlocked many questions that I had for many of the future pieces because of the impressiveness of the design and the drawn thread work surrounding the piece. This made me think about the possibilities of a textile such as this living in my own home or the textiles that live in the home of my grandmothers and other extended families. This strengthened my drive to preserve and take care of these textiles; seeing the relation it has to other families draws a personal connection to mine.
The project we have been working on at the Primo Levi Center connected me to this textile as well as many others like it; some of the textiles in this collection carry stories about the people and families that donated them. We had the privilege of working with Elya to understand this collection as it was given and give it the attention it deserved, cataloging and putting them within proper boxes. By the end of the project, we cataloged and boxed over 120+ items, pulling all sorts of names and information that can open up the possibilities of new projects across boxes, linking different cultures and ideas. The experience I’ve had working on this project at the Primo Levi Center strengthened my conservation and analytical skills, learning deeply about the nuances of textile conservation such as different types of fabrics and materials as well as stitching and threads.

