An exhibition of drawings from
An exhibition of drawings from the internment camp, sketchbooks with notations on architecture, art history and decorative arts, sketches, paintings, family photographs and official papers.
Curated by Cynthia Madansky
In collaboration with Centro Primo Levi
Leo Yeni: An artist’s Paper Life
Leo Yeni was 23 year old in 1943, when Italy surrendered to the Allies and precipitated into chaos and a civil war.
The journey that would eventually take him to New York along with thousands of refugees and survivors, begins in Milan where, as a young man, he studied at the Art Academy of Brera. He learned to love art and, in the nationalistic narrative of the Regime, learned that Art was Italian and rooted in the splendors of ancient Rome and, secondarily, ancient Greece.
Italy and Greece were Leo’s parents’ birthplaces, as well as the references of hundreds of art notes and sketches that he jotted on paper wherever he could, during his school years, after his expulsion from the academy in 1938 and then, during his flight to Switzerland after September 8th, 1943.
Made of paper were also hundreds of notifications, registrations, certificates, police reports, ministerial decrees, entry and exit notices, that defined the Yenis’ as individuals who existed outside of the protection accorded by the law to citizens and could easily be erased and leave no trace. They could work, go to school, consolidate strong friendships, but their lives were ultimately paper ones. This notion is borrowed from Anna Pizzuti’s seminal study in foreign Jews in Italy Vite di Carta.
Leo Yeni was born in Italy in 1920. His father, Isac Yeni had moved there from Salonika in 1912, following the beginning of the Italian-Turkish war. He made a career as an accountant at the Banca Commerciale Italian. His mother, Pia Della Torre was Italian, born in Livorno. Her family had lived in Tuscany for centuries. As established by the Italian law until 1948, Pia had lost her citizenship after marrying Isac in 1917. At the time, it may have not made much of a difference to the couple.
A 2010 certificate of the citizens registry of Milan indicates that her name was removed from the city census in 1954, due to the “accertata irreperibilità,” “the verified impossibility to locate the above-mentioned Greek citizen.
Something had gone astray in the Italian paper trail. In fact, according to official documents, in 1938, when Mussolini and the King promulgated the race laws against the Jews, along with some 50,000 Jews, the Yenis’ lost their means of livelihood and the rights that made them similar to citizens but not quite the same. As foreign Jews, they were expelled and asked to leave the country by March 12, 1939. As many who did not have anywhere to go, they remained and, later on, moved to the countryside where their presence would be less conspicuous.
Still according to public records, Pia and Isac were arrested near Varese in 1944, detained in Milan and deported to Auschwitz where they were both killed. She was 63, Isac 75.
A few days before the arrest, the family was organizing Leo’s departure for Switzerland. Crossing the border was difficult, dangerous and onerous. After November 1943, when the police of the Italian Social Republic issued the arrest warrant against all Jews present on Italian territory, thousands of people found themselves stranded at the mercy of Fascist and Nazi manhunt.
In the turmoil that followed the armistice, Jews, who had been singled out in the persecution of the rights in 1938, were now part of a much larger group of civilians, prisoners of war, deserters, partisans, anti-fascists, and even fascist criminals seeking to elude justice or reprisal. Large survival networks emerged to serve many categories of people. Government authorities, police and many civilians supported Mussolini’s Republican rule and collaborated with all German operations. On the other hand, ruthless German violence against the weakest strata of the population contributed to create antagonistic sentiments toward the former ally turned occupier. Fugitives competed over preferred channels of escape. Crossing the Swiss border was one of them.
Among 44,000 Italians who found refuge in Switzerland, including civilians and military, there were about 4,500 Jews. Many others however, were either rejected by the Swiss or sold by the guides they had hired for the often impervious crossing.
In this circumstance, Leo Yeni prepared himself to take the road to Lugano and Bellinzona from the mountain area near Varese where the family had taken lodging. In his diary, he describes in detail the preparation and the farewell to the parents, his aunt and their landlady.
In Switzerland, Isac had a cousin, Isac de Abravanel, who could help Leo, who had already miraculously escaped a major roundup.
With the initial help of a guide and a map with a few landmarks, Leo crossed the mountains covered with snow. After a few days of traveling, he lost his way and ended up on the Italian side of the border, swarmed by Fascist militia and Germans SS. A few lucky encounters enabled him to hide for the night. He decided that it would be safer to go back. When he arrived at the home where his parents were staying, he learned that they had just been arrested.
He began preparing his second trip, this time with a guide all the way to Lugano where he finally arrived. Through the help of his uncle, Leo found lodging. He had no other choice but to report to the police and request to be interned in a refugee camp. He was first arrested and briefly placed in jail. After his request of asylum was approved, he was transferred to a temporary camp in Bellinzona and, finally, to the internment camp of Unterwalden.
In internment, Leo conquered a space for himself to continue to draw and write, documenting day by day, on paper, as drawings or text, events, human relations, emotions, aspirations that flourished and quiver in the small world of the camp set apart from all societies.
In 1945, Leo was admitted at the Ecole d’Art La Chaux-De-Fonds where he studied etching and other artistic techniques.
After the war ended, he had no family, no country and wanted to continue his work as an artist. The possibility to obtain Italian citizenship was remote. At the imposition fo the Allies, Italy had reluctantly received thousands of refugees. The search for the deportees began as soon as Rome was liberated and the magnitude of the deportation of the Jews was beginning to emerge in Italy even before the rest of Europe was liberated.
Through Hias, Leo was offered the opportunity to emigrate to the US. In January 1946, his friend Dante, whom he had met at Camp Unterwalden, wrote to him: “Going to America, would be a marvelous gain for you. You lose nothing not to return to Italy. […] Listen to your old Dante, go to America and, if you can’t, try to stay in Switzerland. It will take years before things improve here. I feel rather down, in a way, it was better when it was worse. My wishes were all about returning to Italy. Now, all I would like is to leave. Goodbye, my dear Leo, all best to you.”
Leo Yeni moved to the US in 1946 and established himself as designer and artist.
"Children imprisoned behind barbed wire!
“Children imprisoned behind barbed wire! Here is one of the typical symptoms of this heroic age of ours. […] Some of these kids were born in detention, spent their entire childhood in the primitive huts of internment camps, living on convict rations, laughing and playing in the shadow of fascist militia. They grew up in deprived and unhealthy conditions, anxiously looked after by older internees – their companions in misfortune – and kept under continued surveillance, with a kind of resentment, by an authority who received their orders from a government far away beyond the barbed wire that deemed such measures necessary for national security”. Jan Hermann, Concentration camp of Ferramonti, Israel Kalk Archive, CDEC, Milan.
“Many people— many nations—can find themselves believing, more or less consciously, that “every stranger is an enemy.” For the most part, this conviction (…) is not the basis of a system of thought. But when this happens, when the unspoken dogma becomes the major premise in a syllogism, then, at the end of the chain, stands the Lager”. Primo Levi
Carlo Spartaco Capogreco’s classic volume Mussolini’s Camps: Civilian Internment in Fascist Italy (1940-1943) (Routledge, 2019) will be the topic of a panel co-presented by NYU Casa Italiana Zerilli Marimò and Centro Primo Levi. Silvana Patriarca (Fordham University), Spartaco Capogreco (Università della Calabria). Discussant: Mary Gibson, Graduate Center|John Jay College of Criminal Justice, Rudolf Mrazek, University of Michigan.
Capogreco’s book focuses on the Italian concentration camps between 1940 and 1943 and contextualizes them in the history of civilian detention between the rise of colonialism and the totalitarian era. When originally published in the popular Einaudi series of Gli Struzzi, Mussolini’s Camps made a statement, both historiographical and political, on the lack of public focus on the history of state violence and the parallel crystallization of the memory of Auschwitz to stand for every form of abuse perpetrated in the Nazi-Fascist era.
Sixteen years after it first came out, some of the underlying questions of the book have acquired relevance beyond the borders of Italy. While there is no doubt about the extreme violence Auschwitz represents, can it meaningfully represent thousands of concentration camps? And what are the consequences of making such high standard of evil a measure of civility? What were those concentration camps (the majority) where no killing was explicitly planned but where anything would have been allowed to happen within a state of exception justified by public order and national security?
When, in 2004, after 20 years of research, Mussolini’s Camps appeared in bookstores, hardly anything was known about fascist civilian internment and about the concentration
camps and confinement locations established by the fascist regime following Italy’s entry into the war. Target of this operation were “foreigners of enemy states, Slovenians and
Croats with Italian citizenship, politically dangerous subjects, and Jews who, as refugees or for other reasons, had come to Italy from countries that practiced racial policies,” therefore not enemy states.
The sites of the Italian camps had been forgotten and, in most cases, their physical places carried no plaque or sign of their past. It was largely thanks to Carlo Spartaco Capogreco, at that time a researcher by passion turned academic historian, that they were eventually identified, publicly acknowledged, and became the object of broader study.
His extensive research sparked interest and praise in the academic world and contributed to open an important phase of re-evaluation of the apologetic image Italy had built for itself after the war. Politicians and pundits did not wait to react: how could these “benevolent” camps where so many Jews ultimately survived, be called “concentration camps” and thus compared to the Nazi death camps?
Capogreco’s work offers solid primary sources and historiographical tools to deconstruct these questions as well as the assumptions that prompted and continue to feed them.
He documents in detail the juridical and executive frame in which the arrests and internment occurred; the logistics of the camps; the varying degree of abuse and violence; the lack of food; the mutating language used to publicize or conceal detention; the inexplicable bureaucratic labyrinth that added psychological burden to the physical isolation; the often ambiguous nature of humanitarian intervention, the separation of families. Not last, the author traces the monetary component of internment involving both the circulation of large amounts of public money and various forms of exploitation of the internees.
Among the innovations of the book, is the attempt to consider on the same map the broad repressive effort that Italians enacted both on domestic territory and in Yugoslavia where over 5,000 people, many of them children and adolescents, were amassed in the camp of Rab and decimated in great numbers by hunger and illness.
The section dedicated to Jewish internment depicts the condition of limbo and legal void in which thousands of Jews lived in the Italian camps until the progress of the war determined their liberation (for the camps in the South where the Anglo-American forces arrived in the summer of 1943) or their flight and in many cases deportation to Auschwitz (from the camps that remained under Mussolini’s rule and the German allies).
Mussolini’s Camps opens a window onto the experience of the internees and that of the police, clergy, and lay personnel who implemented internment or became part of its management.
The questions arising from Capogreco’s investigation do not concern the ultimate horror, hatred and a view of evil that can be safely separated from post-war values. Instead, they address a grey area recognizable in modern-day societies: the abandonment of groups of human beings to the unexpected, the unplanned, to an area lying outside of any social or political horizon. Not hatred but lingering prejudice ready to be harnessed in the name of a certain conception of justice. Not evil schemes but men and women who feel compelled to “protect” the nation, family and religion. Capogreco portrays the intersections between the world of the free and that of the detainees—the fact that they were able to pray, celebrate, play music or teach— not as a symbol of heroic resilience or authoritarian benevolence, but as part of a reassuring farce whose end was left open to any outcome convenient for those in power.
By the time Mussolini opened his 1940 concentration camps, the idea of forced “concentration” of civilians had already a long history. As Capogreco shows, Italy had itself used it in Libya and East Africa, while perfecting a large detention and confinement system against political dissenters. The Germans had established concentration camps during the Herrero genocide in their South-African colonies and the Spanish and British used civilian concentration in Cuba and South Africa. During the Armenian genocide, the Turks segregated hundreds of thousands of people and then drove them to the desert where they were ultimately starved to death. Both the Tzars and the Soviets had used deportation and confinement to Siberia as means of repression. In the US, the Indian Removal Act of 1830 imposed one definition onto all native people to forcibly “relocate” them in delimited areas.
Italian resistance to acknowledging its own concentration history is not isolated and reflects the need for narratives and language capable of concealing continuity between colonial enterprises and domestic democracy, the totalitarian era and the post-war. With due differences, the Italian case resonates with the current conflicts in the US over the use of the term “concentration camp” and may provide useful tools to examine its dynamics. In both cases, the confrontation occurs between attempts to imagine and analyze historical process and claims to static and unchallengeable truths.
Fascism and Nazism refined their means of repression within the liberal system and over the course of time. They used the rule of law to shape various forms of moral and ultimately physical segregation. Death camps, Auschwitz in particular, have become a symbol of the tragedy that lays at the end of this process. In the collective perception however, the process has retained little or no importance. The evolution from the segregation of a group to its eventual elimination is increasingly absent from popular narratives.
The product of a totalitarian project which, from 1943 on, was completely integrated in the system of extermination of the Jews, Mussolini’s camps have been read as a “lesser evil” or even as a “lesser good”. Allegedly this interpretation is based on their distance from Auschwitz. By separating their historical analysis from the post-war judgement, Capogreco proposes the possibility to place emphasis not on the distance from Auschwitz but on the proximity to the post-war society, one still shaped by ideas of national superiority, this time based not on imperial dreams and muscular strength, but on the narrative of Italian empathy and tolerance. The point of contention was not so much the history of the persecuted but the perception of self that Italians could derive from a particular reading of history.
In 1946, George Orwell observed that political language seeks wordings that can stand in “defence of the indefensible”. His observation may be helpful to consider the conflicts over the language of concentration camps both in Italy and in the US.
The question of language clearly predates the post-war era. Fascism devoted a great deal of attention to calibrating its political vocabulary. The consequences were far-reaching. For instance, prisoners were organized in a hierarchy spanning from “subjects endangering national security” to “free internees”. This euphemism for a form of remote confinement that ultimately lead to many deportations, had a confounding effect on both the victims and the public that witnessed the detention of families, women, elderly and children. Apologists still herald the term today to exemplify Italian benevolence and contend, against historical evidence, that internment was not a deprivation of freedom nor did it endanger those who were subjected to it.
As Capogreco’s research unveils, the persecuted too were confronted with questions of language and sensed that their survival depended on the possibility to understand what a name meant: in 1940, while being transferred from prison to a concentration camp, the 26 year old Maria Eisenstein, a Viennese literature student in Italy, pondered in her diary “What exactly is a concentration camp? We completely lack data and try to find a common denominator between the Isle of Man and Dachau …”.
Mary Gibson is Professor Emerita of History at John Jay College and the Graduate Center, City University of New York, USA. She is the author of Born to Crime: Cesare Lombroso and the Origins of Biological Criminology (2002) and Prostitution and the State in Italy, 1860-1915 (2nd Edition, 1999).
Silvana Patriarca is a Professor of History at Fordham University. She specializes in the history of modern Italy and in particular in the cultural history of nationalism and the construction of national identities in their intersection with gender and “race.” The author of award-winning Numbers and Nationhood: Writing Statistics in Nineteenth-Century Italy (Cambridge UP) and of Italian Vices: Nation and Character from the Risorgimento to the Republic (Cambridge UP), she has co-edited The Risorgimento Revisited: Nationalism and Culture in Nineteenth-Century Italy (Palgrave Macmillan) and is currently completing a book entitled The Color of the Republic: “War Children” and Racism in Post-fascist Italy.
Rudolf Mrázek is Emeritus Professor of History at the University of Michigan and the author of several books, including A Certain Age: Colonial Jakarta through the Memories of its Intellectuals, and Complete Lives of Camp People: Colonialism, Fascism, Concentrated Modernity, 2020.
Carlo Spartaco Capogreco is considered one of the foremost international experts on the history of Civilian Internment during Fascism. Currently, he is Professor of Contemporary History at the University of Calabria and Scientific Advisor for the Center for Contemporary Jewish Documentation in Milan. His writings include Il piombo e l’argento (Rome: Donzelli, 2007); Renicci (Milan: Mursia, 2003); Ferramonti (Florence: La Giuntina, 1987). He has contributed entries and essays to the Encyclopedia of Camps and Ghettos (Bloomington, IN: Indiana University Press, 2018); La Shoah in Italia (Turin: Utet, 2010); Dizionario dell’Olocausto (Turin: Einaudi, 2004); Dizionario del Fascismo (Turin: Einaudi, 2002); Dizionario della Resistenza (Torino: Einaudi, 2001); and has also edited and annotated the critical edition of Maria Eisenstein’s L’internata numero 6 (Milan: Mimesis, 2014).
Modernity, Fascism & Resistance: How
Modernity, Fascism & Resistance: How Four Ethiopians Confronted, Maneuvered and Survived the Italo-Ethiopian War of 1935-1941
Filmmaker Yemane Demissie’s forthcoming social-history documentary series, The Quantum Leapers: Ethiopia 1916-1975, focuses on the buoyant and tumultuous experiences of Ethiopians during the reign of Emperor Haile Selassie I. Synthesizing imagery and narratives from more than 500 interviews and thousands of photographs unearthed from the interviewees’ collections and dozens of international archives, the series considers how the 1935-1941 Italo- Ethiopian War and Occupation compelled the country to reevaluate its age-old traditions in the face of war and modernity.
At this lecture, Yemane will present stories revolving around the airplane—long an emblem of modernity—to explore the interlinked lives of four individuals who confront, embrace or glide with the sudden and immense changes brought about by war, occupation and liberation.
Yemane Demissie (NYU Professor/Filmmaker) in conversation with Heran Sereke-Brhan, (Ph.D. Cultural Historian /Interim Executive Director, Commission on the Arts & Humanities).
Co-Sponsors: Centro Primo Levi, Department of History Tisch School of the Arts, Casa Italiana Zerilli Marimò, Department of Italian Studies, Center for the Study of African and the African Diaspora (CSAAD).
Producer, director, editor:
Yemane Demissie is an award-winning filmmaker and educator whose work includes two narrative features, Tumult and Dead Weight and two feature documentaries, Twilight Revelations: Episodes in the life & Times of Emperor Haile Selassie and Asni. He is a recipient of numerous honors including fellowships from the John Simon Guggenheim Memorial Foundation, the American Academy in Berlin, American Film Institute (AFI) Independent Film & Video-maker Grant, and residencies at the Rockefeller Foundation Bellagio Center, the MacDowell Colony, Civitella Ranieri, Yaddo, the Bogliasco Foundation, and the Dora Maar House.
Presently, Yemane is in post-production for The Quantum Leapers: Ethiopia 1916-1975, a social history documentary series about the Emperor Haile Selassie era. Yemane is a tenured professor at NYU’s Tisch School of the Arts where he teaches screenwriting, directing, cinema history, and narrative and documentary production courses at the Kanbar Institute of Film & Television. For his teaching, Yemane received the Martin Luther King, Jr. and the Sony Electronics Faculty Awards.
Centro Primo Levi Editions is
Centro Primo Levi Editions is pleased to announce the English language publication of Efratia Gitai: Correspondence 1929–1994, with a stage reading of a selection of the letters featuring Marthe Keller, Ronald Gutman and pianist Edna Stern.
Born in 1909 in Haifa to Russian Zionist parents, Efratia Gitai was “the eldest daughter” of the Second Aliyah, the second wave of Jewish immigrants to Ottoman Palestine.
Her family’s migration and her own critical eye made her a keen observer of watershed moments: the Bolshevik Revolution; the cosmopolitan culture of Vienna, where she studied psychology with Anna Freud; Hitler’s 1932 speech at Alexanderplatz; Churchill’s declaration of war heard as she fled by boat from Poland to Haifa; early experiments in kibbutz living; and the Six Day War. A fiercely independent personality, committed to her family, friends, humanism, and Eretz Israel, she once observed: “In the beautiful gallery of my life, I have encountered extraordinary people. Among them was a group of rare women with whom I forged deep friendships. I’ve always thought that societies that do not respect women are destined to extinction.”
These “private letters,” curated by Rivka Gitai, offer a rare first-person account into political events, discussions and social transformations, intertwined with formidable bonds of camaraderie, friendship, and love. They reveal the workings of a curious, reflective mind, who knew how to carefully select words to describe her inner and outer worlds.
The reading will be part of a series of screenings entitled “In Times like These”: Amos and Efratia Gitai, featuring four seminal films by Israeli director Amos Gitai. The special intellectual and artistic bond between mother and son emerges in the exploration of the links between present and past through the narrative prism of Jewish history and literature.
Thursday, March 5, 7:00 (introduced by Amos Gitai); MoMA T2
Reading: Efratia Gitai: Correspondence 1929–1994. Introduced by Amos Gitai and featuring actress and opera director Marthe Keller (Marathon Man, Bobby Deerfield, Dark Eyes) actor and producer Ronald Guttman (Hunters, On the Basis of Sex, Preacher) and award-winning pianist Edna Stern. Program lasts approx. 90 min.
Thursday, March 5, 4:00 (introduced by Amos Gitai); Sunday, March 8, 4:45.MoMA T2
Carmel. 2009. Israel/France/Italy. Written and directed by Amos Gitai. With Amitai Ashkenazi, Ben Eidel, Eliran Eyal. In French, Hebrew, Arabic; English subtitles. 35mm print 93 min. The history of Amos Gitai’s family is intimately bound up with Israel’s own fractious history. In his densely collaged film poem Carmel, Gitai interweaves autobiography with reenactment: the letters of his mother Efratia, recited by Rivka Gitai (the filmmaker’s wife) and performed by the actress Keren Mor, are interwoven with the ancient Jewish historian Josephus’ famous account of the Roman siege of Jerusalem, narrated by Jeanne Moreau; and Gitai’s experiences as a soldier shot down in a helicopter during the Yom Kippur War are juxtaposed with his encounters with strangers and his own children in an Israel that seems to be turning ever inwards.
Friday, March 6, 4:00 (introduced by Amos Gitai); Saturday, March 7, 1:30. MoMA T2
Esther. 1986. Israel/Austria/Great Britain. Directed by Amos Gitai. Screenplay by Gitai, Stephan Levine. With Simone Benyamini, Mohammad Bakri, Juliano Mer-Khamis. In Hebrew; English subtitles. Digital restoration courtesy CINEMATEK (Cinémathèque Royale de Belgique). 97 min. The story of Queen Esther, who in the Old Testament rescued the Jews from imminent slaughter by her husband King Ashasuerus, is made vividly relevant to the present-day cycle of vengefulness between Israel and its enemies. Amos Gitai’s debut feature, which draws upon his mother Efratia’s own Biblical scholarship, is filmed as a series of ritualized tableaux amid the ruins of Wadi Salib, the contested Arab neighborhood of Haifa.
Friday, March 6, 7:00 (introduced by Amos Gitai); Saturday, March 7, 4:00. MoMA T2
Berlin-Jerusalem. 1989. Israel/Netherlands/Italy/France/Great Britain. Directed by Amos Gitai. Screenplay by Gitai, Gudie Lawaetz. With Liza Kreuzer, Rivka Neuman, Markus Stockhausen. In Hebrew, German, French; English subtitles. Digital restoration CINEMATEK (Cinémathèque Royale de Belgique). 89 min. Amos Gitai imagines the relationship between two remarkable women, the German-Jewish Expressionist poet Else Lasker-Schüler and the radical Russian Zionist Mania Shohat, moving between 1930s Berlin, city of glittering doom, and Palestine on a pioneering kibbutz for utopian Marxist living.
Saturday, March 7, 6:30; Sunday, March 8, 2:00. MoMA T2
Kedma. 2002. Israel/Italy/France. Directed by Amos Gitai. Screenplay by Gitai, Mordechai Goldhecht, Marie-Jose Sanselme. With Andrei Kashkar, Helena Yaralova, Yussuf Abu-Warda. In Hebrew, Arabic, German, Polish, Russian, Yiddish; English subtitles. 35mm print courtesy Kino Lorber. 100 min. On the eve of Israel’s founding, a cargo ship filled with Holocaust survivors heads to Palestine, only to find itself ensnared by the violent clash between Jews and Arabs, and between the Palmach (the clandestine Jewish army) and British soldiers.
The series is curated by Josh Siegel, Curator, Department of Film, The Museum of Modern Art. Special thanks to Josh Siegel, Amos and Rivka Gitai.
10MAr4:00 pm- 6:00 pmThe Italian Executioners: Italy and the Holocaust, 1943-45UCLA, , 314 Royce Hall, 480 Charles E Young Dr E, Los Angeles, CA 900244:00 pm - 6:00 pm Italian Jewish Studies Seminar:Italian Jewish Studies Seminar
Simon Levis Sullam (University of Venice
Simon Levis Sullam (University of Venice Ca’ Foscari) and Marla Stone (Occidental College).
Sponsored by the Alan Leve Center for Jewish Studies at UCLA in collaboration with Centro Primo Levi NY. Free admission. Reserve your seat at this link or contact: firstname.lastname@example.org or call (310) 267-5327 to register.
Viterbi Lecture in Mediterranean Jewish Studies. Sponsored by the UCLA Alan D. Leve Center for Jewish Studies in collaboration with Centro Primo Levi NY Istituto Italiano di Cultura Los Angeles.
Simon Levis Sullam examines the political and social context as well as case studies in which Italians took active part in the persecution of the Jews.
«The evening of Saturday, December 5, 1943, a few hours before the raid that led to the arrest of over 170 Jewish men, women and children, the young pianist Arturo Benedetti Michelangeli held a concert at the La Fenice Theater. The following day, a few hours after the Jews were provisionally handed over to local prisons, the city’s soccer team held a match. The arrests had occurred overnight, in a city shrouded in a cold winter darkness. While the genocide of the Jews began in Venice, days flowed as always, in an indissoluble interweaving of life and death: the prefect who had given the order to arrest the Jews had perhaps then attended the concert of Benedetti Michelangeli. And those among the policemen or the fascist volunteers who had participated in the arrests, a few hours later had gone to the stadium to watch the Sunday soccer match at the St. Elena stadium.»
In his conclusions, Levis Sullam notes that «No one [of the Italian executioners] was tried in the post-war period for participation in the anti-Jewish politics of fascism: neither the one dating back to 1938 nor the persecution of Italian Social Republic […]. Generally, the persecution of the Jews was not considered a crime or a specific fault, nor an aggravating factor of other crimes, in the broader context of an overall underestimation of the responsibilities of Italian fascism of the Monarchic period and of Salò”
As well explained – among others – by historian Claudio Pavone, the continuity between monarchic and fascist state on one side and republican-democratic post-fascist state on the other, prevailed over discontinuity. Examples are the so-called Togliatti amnesty of June 1946 or the behavior in post-war trials of the Italian judiciary which “remained largely exempt from judgment [and] therefore in absolute continuity with its fascist past.
“Even if we only look at the racist policies of fascism,” Levis Sullam observes, “it is clear that members of the justice system who was directly involved in the application of racial laws, in the post-war period continued their careers with honors […]”. Among various cases the author examines, is “Gaetano Azzariti who, former president of the Court of the race from 1938 to 1943, was Minister of Justice in the Badoglio government, head of the Legislative Office in the Togliatti government, and happily concluded his career as president of the Constitutional Court in the 1950s.
Simon Levis Sullam is associate professor of Modern History at the University of Venice Ca’ Foscari. He has been research fellow of the Fondazione Einaudi in Turin, at the Italian Academy, Columbia University, New York, at UC Berkeley, and at Oxford where he also taught modern European history. He was an adjunct professor at the University of Siena. In 2016-17 Levis Sullam was Polonsky Fellow as co-chair of the Seminar in Advanced Jewish Studies at the Centre for Hebrew and Jewish Studies of the University of Oxford. Levis Sullam’s areas of specialization include: Italian history between the Nineteenth and the Twentieth century; Jewish history; the history of anti-Semitism and of the Holocaust. His interests also include the history of historiography and questions of historical method. His publications include Giuseppe Mazzini and the Origins of Fascism (Palgrave 2015) and The Italian Executioners. The Genocide of the Jews of Italy (Princeton University Press 2018).
Sarah Stein in conversation with
Sarah Stein in conversation with Clemence Boulouque on her new book Family Papers: A Sephardic Journey Through the Twentieth Century (Farrar, Straus and Giroux)
Presented in collaboration with the Albertine Bookstore.
The Levy family established itself in Salonica (now Thessaloniki, Greece) in the 18th century and for some two hundred years published books and newspapers for the region’s Sephardic Jews. With the Ottoman Empire’s collapse, the Levys scattered throughout the world, but kept in touch through letters. Drawing on this rich correspondence, Sarah Stein, award-winning author of Extraterritorial Dreams, uses the family’s experience to trace the history of Sephardic Jews through the twentieth century, showing how individual lives were affected by world wars, shifting political boundaries, and the Holocaust—which wiped out several branches of the Levy family. Salonika, like many Mediterranean and Balkan ports, was a cultural medley difficult to imagine today. The Levys “were creatures of a polyglot empire, and nationalism wasn’t their style. Their faith was in Western progress and good will. After World War I, Sam, the journalist, had in fact written to the Versailles peace conference to propose that Salonica become “a free and neutral city administered by Jews” with a vote in the League of Nations: “a Jewish city-state that was neither Zionist nor Greek.” It was a great idea, and of course it was doomed along with the world he knew.”
Sarah Abrevaya Stein is Professor of History, Maurice Amado Chair in Sephardic Studies, and Sady and Ludwig Kahn Director of the Alan D. Leve Center for Jewish Studies. A 2015 Guggenheim Fellow and co-winner of the 2010 Sami Rohr Prize for Jewish Literature, her award-winning books include Extraterritorial Dreams: European Citizenship, Sephardi Jews, and the Ottoman Twentieth Century (2016), Saharan Jews and the Fate of French Algeria (2014), Plumes: Ostrich Feathers, Jews, and a Lost World of Global Commerce(2008), and Making Jews Modern: the Yiddish and Ladino Press in the Russian and Ottoman Empires (2004).
Clémence Boulouque is the Carl and Bernice Witten Assistant Professor of Jewish and Israel studies at Columbia University. Her research interests include Jewish thought and mysticism and their intersection with psychoanalysis and the arts. A former radio host and book critic, she is also the author of novels and essays published by Gallimard in her native France. A graduate from the Institute of Political Sciences in Paris, the ESSEC business school, she established herself as a renowned writer as well as a literary critic in print and broadcast. Following her first book, Mort d’un silence, an acclaimed best-seller in France turned into a documentary (The Judge’s Daughter), she published seven books, ranging from fiction to book-length interviews, notably Amos Oz.